The fourth wall between the human subject and everything else evaporates. How to see global warming as part of the human drama, not as the end of it? How to rebuild the play when there is a fourth wall collapse, and when this collapse coincides with the actual theatre on fire? When being on fire is what causes this collapse, what happens? The play was shit. We need another play.
Timothy Morton, Hell
Hell on earth is here. The toxic fusion of big oil, Evangelical Christianity and white supremacy has ignited a worldwide inferno, more phantasmagoric than anything William Blake could dream up and more cataclysmic than we can yet fathom. As Timothy Morton’s new book, Hell: In Search of a Christian Ecology, shows, escaping global warming hell requires a radical mystical marriage of Christianity and biology to awaken a future beyond white male savagery.
On 17th April 2024, Timothy Morton was interviewed by Andy Wilson for The Blake Society and The Traveller in the Evening. This podcast captures the interview and resulting discussion.
Timothy Morton
Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Björk, Laurie Anderson, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appeared in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges, and is the author of Being Ecological (2018), Humankind: Solidarity with Nonhuman People (2017), Dark Ecology: For a Logic of Future Coexistence (2016), Hyperobjects: Philosophy and Ecology after the End of the World (2013), The Ecological Thought (2010), Ecology without Nature (2007), ten other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food.
Hell: In Search of a Christian Ecology is published on Earth Day (22 April) 2024.
The Traveller in the Evening
Andy Wilson runs the blog The Traveller in the Evening: Reflections on William Blake, Radical Theology, Politics and Surrealism, founded Reservists Against War and co-founded the Association of Musical Marxists (AMM). He is the author of Faust: Stretch Out Time 1970-75 (2006), Cosmic Orgasm: The Music of Iancu Dumitrescu and Ana-Maria Avram (2013), and The Brilliant New Hercules: A Blake Reader (2015). With Michael Tencer he edited The Assassin (2014), and with Jules Alford, Khiyana: Daesh, the Left and the Unmaking of the Syrian Revolution (2015).
Join the Blake Society here.
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