Photographs taken in and around the Lee Valley, 2022-2023 by Andy Wilson. Free to download.
This is based on notes from a talk I’m preparing for the Living Well Dying Well Foundation on the rite of MuMufication, the building of the People’s Pyramid, and the background to it all in Chaos Magic and Discordianism. But first I note the special relevance of the countercultural Hindu goddess, Kali, and her significance as a trickster avatar of death.
Vala is the journal of The Blake Society. Issue #3 focuses on the Blake and Nature and features an article by Andy Wilson on Ecology and Blake’s Visionary Animism
An alternative to those quizzes about how many dead Victorians you’ve read in the pursuit of cultural capital, a canonical education and the admiration of loved ones. Instead, here’s a list of 100 books that shaped me.
Mike Westbrook, Phil Minton & The Lo-Fi Improvised Music Ensemble with Sue Lynch: Intimations of a Future for Blake’s Music
In November 2022, The Mike Westbrook Band and The Lo-Fi Improvised Music Ensemble performed settings of Blake’s texts that raise questions about how Blake has previously been made to sing.
The patriotic frenzy around Brexit and the death of Elizabeth Mountbatten-Windsor offers an opportunity to reappraise Blake’s song Jerusalem and the nationalistic impulse so many find in it. Jason Whittaker’s new book on Blake’s ‘Jerusalem’ is reviewed.
In researching for the recent Blake Society meeting on Blake and Blade Runner I discovered aspects of the film and Philip K Dick’s original story that radically change our understanding of the story and bring it more closely into line with Blake’s core vision.
A talk given by Andy Wilson for the Blake Society at St Luke’s Community Centre, Islington, London, on 24th Nov 2021, for the residents around Bunhill Fields, where Blake is buried.
John Higgs’s new book promises a contemporary take on the works of William Blake, making them relevant to a modern audience generally, and to the counterculture in particular. So, how well does it live up to its promise?
The Fall’s Before the Moon Falls, W.B., Jerusalem and creating a system of your own
What did Blake meantby saying that when he looked at the sun he saw a choir of angels singing ‘Holy, Holy, Holy’, and how does it relate to his depiction of apocalypse.
The film Blade Runner is hugely successful, but what does it mean? As the makers hint, the key is to watch it through the eyes of William Blake and his mythology of liberation.
While A L Morton thought Blake may have read the work of the Ranter, Abiezer Coppe, modern historians say there is no evidence of Blake being familiar with Ranter texts. How much do Blake’s ideas overlap with The Ranters? I look at the Justification of the Mad Crew (1650) to compare.
Few could deny that William Blake supported the radical politics of his time, yet revolutionary ideas were not an adjunct to his visionary genius, but the living heart of it as a poet.
An analysis of the recently discovered engravings by Serge Arnoux illustrating William Blake’s ‘Proverbs of Hell’, with a discussion of surrealism and Blake, and the impact of Moravianism on Blake’s idea of faith, sexuality, freedom and religion.
To celebrate Blake’s birthday, here is one of his illustrations for Milton’s L’Allegro, along with the poem itself, which seems suited to the mood fo the day.
Excerpted from the book Faust: Stretch Out Time, an essay about how great music helps us escape Urizenic time, dead time. “Out of time, into space” (William Burroughs)
Thy purpose & the purpose of thy Priests & of thy Churches
Is to impress on men the fear of death; to teach
Trembling & fear, terror, constriction: abject selfishness.
Mine is to teach Men to despise death & to go on
In fearless majesty annihilating Self, laughing to scorn
Thy Laws & terrors
The Irish Independent Left conducted an interview with the historian Peter Linebaugh about his book, Red Round, Globe Hot, Burning, which discusses Blake at several points and makes some excellent observations about him, Thomas Spence, and others, and their relevance to our times.
The Tyger is potentially the Led Zeppelin of Blake poems — brash, bombastic and unnervingly successful. It is supposedly the most anthologised poem in the English language — stadium poetry, if you like. Your children will probably come across it at school. Along with the Parry’s version of Jerusalem, this is the Blake that people know.
At the televised Vice-Presidential debate last week with Kamala Harris, Mike Pence spectacularly ignored the fly that came to rest very publicly on his head. This act of wilful ignorance crowned Pence’s role at the side of Donald Trump as ‘the man who pretended not to notice‘.
Two years after inventing relief etching, the printing method best suited to recording late 18th century revolutionary free improv visions, William Blake & his wife Catherine moved to 13 Hercules Buildings, Lambeth, London. For the next ten years at the Hercules, according to James Joyce, “Elemental beings and spirits of dead great men often came to the poet’s room at night to speak with him about art and the imagination.”
“There is no group more mythical than Faust” (Julian Cope) “When the Germans do something, they don’t fuck around” (Jean-Hervé Péron): A book about the band Faust, the legendary krautrock group. Fully illustrated, it contains reviews all of the group’s records from the period 1970-75 as well as recounting the rise of krautrock and its relation to the social upheavals of the ’60s.
In philosophy since the time of Plato there has been a tradition of thinking that all that can really be known about God (‘the One’) is negative. All we know of ultimate things is that we are ignorant, and all we can say with certainty about them is that we don’t know.
Dialectical Materialist: Sam Harris is a racist. I’d have God over him, and I don’t believe in God. Religious Obscurantist: Not caring isn’t evil. The universe doesn’t care about you, and it isn’t evil either. In short, God resembles the universe more than he resembles a swimming pool attendant. It’s not rocket science.