Category: William Blake
Vala #3 and Blake’s Visionary Animism
Vala is the journal of The Blake Society. Issue #3 focuses on the Blake and Nature and features an article by Andy Wilson on Ecology and Blake’s Visionary Animism
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Mike Westbrook, Phil Minton & The Lo-Fi Improvised Music Ensemble with Sue Lynch: Intimations of a Future for Blake’s Music
In November 2022, The Mike Westbrook Band and The Lo-Fi Improvised Music Ensemble performed settings of Blake’s texts that raise questions about how Blake has previously been made to sing.
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Blake in Beulah: A Review of John Higgs’s ‘William Blake vs The World’
John Higgs’s new book promises a contemporary take on the works of William Blake, making them relevant to a modern audience generally, and to the counterculture in particular. So, how well does it live up to its promise?
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The Fall and William Blake: Before the Moon Falls
The Fall’s Before the Moon Falls, W.B., Jerusalem and creating a system of your own
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Blake’s Annihilation by the Eye of Ra: On Snakes, Seraphim and the Solar YHWH
What did Blake meantby saying that when he looked at the sun he saw a choir of angels singing ‘Holy, Holy, Holy’, and how does it relate to his depiction of apocalypse.
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Blade Runner’s Fallen Angels
The film Blade Runner is hugely successful, but what does it mean? As the makers hint, the key is to watch it through the eyes of William Blake and his mythology of liberation.
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Blake and the Mad Crew: The Ranters and the Historians
While A L Morton thought Blake may have read the work of the Ranter, Abiezer Coppe, modern historians say there is no evidence of Blake being familiar with Ranter texts. How much do Blake’s ideas overlap with The Ranters? I look at the Justification of the Mad Crew (1650) to compare.
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William Blake as a Revolutionary Poet
Few could deny that William Blake supported the radical politics of his time, yet revolutionary ideas were not an adjunct to his visionary genius, but the living heart of it as a poet.
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Serge Arnoux’s Mirror of Blake
An analysis of the recently discovered engravings by Serge Arnoux illustrating William Blake’s ‘Proverbs of Hell’, with a discussion of surrealism and Blake, and the impact of Moravianism on Blake’s idea of faith, sexuality, freedom and religion.
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Milton’s L’Allegro on Blake’s Day
To celebrate Blake’s birthday, here is one of his illustrations for Milton’s L’Allegro, along with the poem itself, which seems suited to the mood fo the day.
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The Heptones: Mystery Babylon
Thy purpose & the purpose of thy Priests & of thy Churches
Is to impress on men the fear of death; to teach
Trembling & fear, terror, constriction: abject selfishness.
Mine is to teach Men to despise death & to go on
In fearless majesty annihilating Self, laughing to scorn
Thy Laws & terrors
The Tyger and Violence
The Tyger is potentially the Led Zeppelin of Blake poems — brash, bombastic and unnervingly successful. It is supposedly the most anthologised poem in the English language — stadium poetry, if you like. Your children will probably come across it at school. Along with the Parry’s version of Jerusalem, this is the Blake that people know.
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